An Update

This is an update from my last blog. I have been tweaking the painting with the buoy, block and net. After spending a sleepless night wondering what was wrong with it, it suddenly came to me that a red buoy is NEVER #1! The BLACK/GREEN buoys are odd numbers and the RED ones are always even numbers. So, this is not a directional buoy, just a fishing one . . . but, I am still wondering why it had a 1 on it.

the mask is removed

Well, I removed the mask which was marking the fish net and the white of the paper just jumped off the page. I knew I would have to tone it down, so I have put a few washes on it. I wanted it to look a little more worn. I also played around a bit with the ropes and then cropped a bit off the top of the painting. It looked a little empty up there. I don't think the original is quite this yellow - gotta work on my camera technique.

"Buoy #1"     10x13    $150

Setting up an oyster still life

This past week I substituted again in the watercolor class. I haven't been for a few weeks so didn't know what the class had been working on. When I arrived, I found a still life set-up waiting to be painted.

Previously, there had been talk of oyster shells  - there they were . . .along with a red buoy, lots of rope and a fish net. Off to the side there was another buoy and an old wooden block pulley. They were not a part of the set-up, but we were told we could arrange whatever we wanted.

I had never painted oysters and thought that might be fun. I began my sketch and discovered that the oysters kept looking like strange blobs. The buoy was colorful and fun to draw, but those oysters just didn't do it for me.  That left the ropes, the other buoy and the block. It seemed more daunting by the minute!

Because others in class were already painting what was there, I needed to rearrange the set-up in my head and get it onto my sketchbook page. I decided to challenge myself by attempting ropes - I drastically simplified them - and then added the block. I left the oysters out entirely.  So, what was to have been an oyster painting ... well, it's not.

The preliminary sketch and the final drawing took a long time so that when class ended I had accomplished this much. If you look closely you can see the block and the fish net.

It's been a busy week - I didn't get back to painting until this afternoon. Actually, that gave me time to figure out how I was going to do the rest - particularly, the net. I thought I needed do a wash over most of the paper and then decided to mask out the net. I painted the block while the mask was drying and then laid in the wash - trying to change its color as it flowed across the paper. I took this photo while it was drying.  It will undoubtedly be lighter when it dries. I may do another wash if it's too light... BEFORE I remove the mask. But, that's all for another day. If it changes dramatically, I'll post it again.

And then, of course, I'll also be asking for comments on a title!

Hey guys, wait up!

A few weeks ago when I was subbing again in the watercolor class our task was to paint 'figures in the landscape.' The idea was to show scale - how the figures fit into the larger world.

Well, I paint figures a lot, but I realized that they are mostly about the grandchildren - not the landscape. I went looking for some photos that might show the larger view and found one of some girls on the beach. The three older ones had gone ahead and the younger one wanted to catch up. I really liked the way everything seemed to point to the distant vanishing point - the shoreline, footsteps and the dune/tree line directing the eye into the painting.

It began as a watercolor and of course, when I got it home and played with it more, it picked up a bit of pastel. After tweaking it for awhile, I was not easy with it and put it across the room to stare at it for a week or so.

Next thing I knew, I found myself picking up my 'corners' (pieces of mat board) and placing them in various ways to crop the painting. Perhaps a square?

Or maybe a vertical?

Last week I took the painting back to class and discussed my dilemma - to crop or not to crop? Where to crop?

OK, here is what I have re-discovered - I don't much like doing landscapes (horizontals). That shape painting is very stable, it really just sits there and stays put. (to me, that can be boring) And then there is the square which can't decide to lie down or sit up. Aha! The vertical shows movement and I find it much more exciting.

I don't imagine that this exercise will be something that I will add a signature to or put in a frame, but it has been an interesting challenge. Comments? Would you crop? How?

Dog #2 - his favorite bowl

Beginning October 1st, SMAL (St Michaels Art League) will be hanging another exhibit in the gallery at our local library. We have 4-5 exhibits a year and try to make them interesting by using various themes. (Our last one was in July - "Red, White and Blue" - see blog of June 16, 2013)

This exhibit's theme is "Water, Water Everywhere." Yes, we live in an area where everyone is probably within 5 minutes of the Chesapeake Bay and/or one of its tributaries. There is indeed water, water everywhere! But, the suggestion in the exhibit write up was to be challenged by this theme and come up with some different ideas.  Suggestions were: someone jogging carrying a water bottle, a rainy day, children playing near a fountain or a dog lapping water from his favorite bowl.

Well, now that I knew I could paint a dog, this seemed the way to go - a dog drinking from his favorite bowl.

One of the art challenges I am working on is the combing of two (or more) pictures into one painting. It can be tricky to get the perspective, light and values correct so that it looks like it is really one picture - not several pasted toegther. I knew what I wanted to do for this dog painting . . .could it come together?

We all know what a dog's favorite bowl looks like, right? So, I am running around the house taking pictures of our toilets from many different angles - yes, and laughing at myself! Then I am looking at all the pictures on my computer and printing them out to see which ones will work with the dog picture. Don't you know I am also thinking, "What if I die right now before I have painted the picture and someone goes through my picture file and sees all those toilet pictures?"  Well, let's not go there!

My initial sketch wasn't right, but several sketches later I think I got it and began my painting.  A bit of tweaking here and there and voila . . .

"It's gotta be 5 o'clock somewhere"   9x12 pastel   $150 SOLD

Yeah, I know, it's probably NOT a painting you want hanging over your mantle, but it's fun and silly. Be sure to read the title.  Let's face it, it's bathroom art. You could hang it over your commode!

There is a reception for this exhibit at the St Michaels Library on Thursday, October 3rd at 5:30pm. Come and see what all the artists have done with this theme!

Alley - My first animal pastel

When we first moved to the Eastern Shore, my husband bought a riding lawn mower and seemed to enjoy getting out there and cutting the grass.  Then there was a proliferation of bumper stickers that seemed to appear everywhere that said things like "I'd rather be sailing".  I think he took those literally and soon we had hired someone else to mow (and we even gave our mower away!).

We have had our current lawn care guy for quite a while now and have gotten to know his family - and his dogs. I always look forward to Jason dropping by with his truck - usually with beautiful golden retrievers in the back seat. The dogs are always well behaved and adorable.  I admit it, I have a soft spot for goldens - particularly Alley and River.

This past summer we were given the sad news that Alley had died.  She was 13 years old and had been Jason's companion since she was a pup. A week or so after her death I got a phone call from Kellee, Jason's wife, asking if I would paint a picture of Alley. She wanted to give it to Jason for his birthday. I was very flattered, but was a little hesitant since I had never painted a dog before. (I had done a watercolor of a niece of Jason's and Kellee knew about that painting.)

I told her that I would give it a try and we would see how it went.  She sent me some pictures that she had of Alley and I also had taken some for another project.  I studied the photos for awhile and began the project wondering how I was ever going to be able to do this.

After working on the painting for a couple of days, I was amazed (and continue to be amazed) at how it turned out. It was one of those challenges that totally surprised me. I love it!

I have waited to post about this until Jason had the painting in hand. I am told that it now hangs in his house.  So Happy Birthday, Jason. We all miss Alley.

Nelson Pond sketches

Ahhhh, we have returned from a lovely 10 day vacation in Vermont.  The air was cool and crisp - a wonderful break from our Maryland summer (familiar local phrase . . ."It's not the temperature, it's the humidity!").

For the past few years we have been fortunate to rent a cabin (in Vermont they call this a 'camp') on Nelson Pond just down the mountain from my son's farm. It is delightfully rustic, with a large screened room that overlooks the pond. There is a great dock - access to the cool, clear water . . . great swimming!

We spend a lot of our time with the grandchildren, so I don't even bother to take painting supplies. However, I love to spend a quiet morning or two sitting in various places with my sketchbook. Each year there are flowers in new/used containers  - sap buckets, barrels, a coal skittle, the ripped out seat of an old chair and more.








Here is one of the barrels.  It's the end of summer and the delicate blossoms were doing a rather dainty dance routine.

On the short walk down to the dock there is a fire pit area.  It's set up with comfortable seating - Adirondack chairs and a bench. Here is the bench by the fire pit. . . it just called to me to be sketched.
















As I was sitting on the bench, a dragonfly paid a visit. S/he seemed very at ease and enjoyed the sunshine just inches away from my sketchbook.









Alas, summer is almost over and now it's back to the 'real' world. . . after I make a few notecards with these new sketches, that is.

The Escapee

The Bicentennial Celebration 1813-2013 Art Show is this weekend and I am almost ready. Yesterday I framed my last painting - the boy and the crab.

You may remember from my last post that I was working on this painting and had put it aside to just look at it for awhile. Well, I kept looking at it and finally figured out what was wrong - I needed something to connect the boy and the crab.  I had painted them from two different pictures and they still presented as two different pictures.

Aha, sometimes it takes longer for that light to come on . . . the missing ingredient was a crab net! For those of you who are not into crabbing, this is how it goes. You tie a chicken neck (yes, I am not kidding - a raw chicken neck) onto a piece of string and put it in the water.  The crab finds it - sometimes this takes a long time - and begins picking at it. He actually holds on (hopefully) as you slowly pull up the string and then you scoop him up in a net.

Thus the need for a net in the picture to connect the boy and the crab. When children are crabbing they get very excited about catching a crab and sometimes just want to watch the crab run around on the dock for a minute.  I would NEVER let a child wearing flip flops be this close to a crab (they are fast little critters who threateningly wave their claws in the air and run sideways), but I think it works in the picture. I am calling it "The Escapee" - as if the crab actually escaped from his captor.

Hope to see you at the art show - Saturday from 10:00-5:00 at the St Michaels Women's Club!

I will also have commemorative posters for sale - a bargain at $15 . . .

Sorry, it's not the best photo - just put the poster by the kitchen door and took the picture . . .it's a rainy day.